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I'll never forget hearing Yo-Yo play Don Quixote with the Philadelphia Orchestra, in a live television broadcast a couple of years ago. In that performance, he seemed to completely inhabit the character he was playing - it wasn't just fantastic cello playing, it was phenomenal acting. This piece is similar in its strong characters and moods. Yo-Yo talked to the orchestra at one point, and I think this was what he was explaining: how the piece actually explores different levels of reality, from an inner world of great introspection and melancholy, to a very exuberant march, to music of great passion and anger. He actually talked so softly, it was impossible to understand every word. In this light, whispery voice he talked about this lost, wandering kind of mood he wanted to create.
It was the kind of voice that makes you lean forward in your seat, and strain to hear. I'm pretty sure we would have done this even if he wasn't a world famous soloist. I think being such a celebrity must be a challenge: people come to hear Yo-Yo, not to hear Shostakovich or whatever other piece he might be playing. It seems to me, though, that his way of making music is to really disappear into whatever he is playing. That was the sense I had even when he talked - as long as we got his message and idea, he would be happy to not be noticed at all.
Our concert with Yo-Yo Ma will be February 24th at the Carnival Center. We're also playing the program on February 27th in Carnegie Hall. I'll write more as those concerts approach!
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