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Spano put it best when he said that the orchestra's job is to always say, "We're not going to rush." The conductor's role, on the other hand, is to say, "We're not going to be boring." It often puts the two in conflict, but that tension is itself a source of excitement for the audience and the performers. It's the will of the one against the will of the many, and ultimately the conductor's will prevails - assuming we all respect and trust him enough to respond to his ideas - but only as the result of an intensely powerful struggle.
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I'll write more tomorrow on this weekend's program, which includes Jennifer Higdon's Concerto for Orchestra and Michael Gandolfi's Impressions from the Garden of Cosmic Speculation. The latter piece is inspired by an actual place, a garden designed by the philosopher Charles Jencks. You can check out some pictures of the real thing at Charles Jencks' website.
In the meantime, here are a few pictures from the Fairchild Tropical Gardens, which our orchestra visited last Sunday. I don't think the gorilla in the top picture is meant to be conducting an orchestra, but that was my first thought. I wonder if gorilla conductors ever have problems with rushing...?
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